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3-4HadBeenEliminated--A Year Of The Aural Gauge Operation-.Hapna.-2005
Full name: 3-4HadBeenEliminated--A_Year_Of_The_Aural_Gauge_Operation-.Hapna.-2005-1way.nfo
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ÜÜ ÜÛÛÛÜ ÜÛÛÛÛ ²ÛÛ° Û² ÜÛÛÛÜ ÜÛ° ßÛÞ ÜÛÛÜ ²²ÛÛ°ÛÛÛ Û²°±²ÛÛ° ÛÞ ÜÜ °°²Û°ÛÛÛ ÛÞ ²Û° ÛÛ° ÜÛÛÜ °°°±²ÛÛÛÛÛÛÛ°°°±²ÛÛ°ÛÛ Û° ÜÛÛ°°²ÛÛÛÛÛÛÛ ÛÞ °±²Û°ÛÛ ÛÛ °ÛÛ Û ÜÛÛܰ±²²ÛÛÛÛ Û°°°²ÛÛÛÛ Û² ÜÛ ßÛ °°²ÛÛÛ ÛÛ °°±²ÛÛÛÛÛÛ ÛÞ ±²Û°ÛÛÜÛ°²ÛÛ° ÛÛÞ ±²ÛÛÛ°ÛÞ ÛÛÛÛÛ Û²°²Û°ÛÛ ÛÛ °ÛÛÛ Û² ²²²ÛÛÛ Û° °°±²ÛÛÛÛ°°±²ÛÛ°ÛÛ ÛÞ °ÛÛ°Û² ²ÛÛÛÛÛ °°±ÛÛÛÛÛÛ Û± °ÛÛ°ÛÛ° °±²ÛÛÛ Û° °±±²ÛÛÛßÛ²ÛÛÛÛÛ ÛÞ °ÛÛ°Û° ²ÛÛÛÛÛÛÛ Û°±²ÛÛÛÛ Û² ²Û°ÛÛ± ±ÛÛÛ Û² ²ÛÛÛ Û °²ÛÛÛ Û° °Û°Û² ²ÛÛÛ²ÛÛÛÛ Û° ²ÛÛÛ ÛÛ°ÛÛ°Û± ²ÛÛ°ÛÛ ±ÛÛÛ Û ²ÛÛÛ°Û° ÞÛÛÛÛ °ÛÛÛ±²ÛÛÛÛ Û° ÞÛÛÛÛ Û²Û°Ûß °ÛÛÛ°Û° ±ÛÛÛ°Û² °ÛÛÛ°Û² ²ÛÛÛ°°ÛÛÛ °ÛÛÛÛ Û° ²ÛÛÛ°ÛÛÛÛß °ÛÛÛ°Û° °ÛÛÛ°ÛÛ ±ÛÛÛÛ°Û ÛÛÛ² ÛÛÛ °²ÛÛÛÛ°Û° °ÛÛÛ°ÛÛÛ ²ÛÛ°ÛÛ° °ÛÛÛÛ°Û°²ÛÛÛÛ°Û²ÛÛÛ ÜÛÛ²ÛÛÛÛÛÛÛÛ°ÛÜ ²ÛÛÛ°Û² Þ°ÛÛÛ°Û² °ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ°°±²²ÛÛÛÛÛÛÛÛÛÛ°ÛÜ °ÛÛÛ°Û° ݰÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² ÛÛÛÛÞ °°²²ÛÛÛÛ°ÛÛ² °ÛÛ°ÛÛ° ²ÛÛÛÛÛ° ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛ° ÛÛÛÛß ±ÛÛÛÛÛ°Û° °²ÛÛ°Û² ² °ÛÛÛÛÛ²° ÛÛÛÛÛÛ ²ÛÛÛÛÛ°°ÛÛÛÛÛ² °ÛÛÛÛÛÛÛ°²ÛÛÛÛÛÛÛ²Þ °°±² ±²ÛÛÛÛÛÛÛÛ° ±²ÛÛÛÛ ÞÛÛÛÛ°ÜÛÛÛÛÛÛÛ² ÛÛÛÛÛÛ°²ÛÛÛÛÛÛÛÛÛÞ ° ² °°°²ÛÛÛÛÛÛÛÛÛÛÛ°±±²²ÛÞ °°±²Û°°²²ÛÛÛÛÛÛÛ° ßÛ°°²²ÛÛÛÛÛÛÛÛÛ²Þ ² ÜÛÛÛÛÛÜ °°°°±±±²² °°±² °°±² °°±²²²°°Þ °°°±²²°°±²±°°°°Þ ÜÛÛÛÛÛÜ ÜÛ ÜÜÛÛÛÛ ÜÜÜÜ ÜÜÜÜ ÛÛÛÛÜÜ ÛÜ Û ÛÛÛßÛÛÛÛ °°² ÜßÜÜÜÛÛÜ °² ÜÛÛÜ ÜÛÛÜ ÜÛÛÜÜÜßÜ °°² ÛÛÛÛßÛÛÛ Û Û°ÛÛ ßÛÛÜ ÜßÜÛß ßÛÛÛßÜÜÜÛÛÛßßÛÛß ßÛÛßßÛÛÛÜÜÜßÛÛÛß ßÛÜßÜ ÜÛÛß ÞÛÛ°Û Û°ÛÛ °°² ÛÜßßßÜÛÛ ßÛÜÜÜÛß ßÛÜÜÜÛß ÛÛÜßßßÜÛ °°² ÛÛ°Û ÛÜÛÛÜ ßÛÛÛÛß ßÛÛÛÛß ÜÛÛÜÛ ßÛÛÛÜ 3/4HadBeenEliminated - A Year of the Aural Gauge Operation ÜÛÛÛß artist : 3/4HadBeenEliminated title : A Year of the Aural Gauge Operation date : 2005 label : Häpna H.26 genre : Avantgarde rls. date : Jan/2006 tracks : 09 bitrate : VBRkbps size : 85,4 MB 3/4HadBeenEliminated was founded in Bologna, Italy, in 2002. Starting as a trio (guitarist/double bassist Stefano Pilia, turntablist/sound assembler Claudio Rocchetti, sound architect Valerio Tricoli), the drummer Tony Arrabito was added to the line up in 2004. Their first self titled record (bowindo, 2003) was released after playing a series of live concerts in which the group attention was strongly focused on the performative/theatrical/ecological aspects of the event. Comprised of a large number of electronic and acoustic instruments, the album mirrors the disparate musical influences and aesthetics of the group: live electronics, electroacoustic composition, field recordings, drones... In the following two years, after exploring and experimenting with self invented recording techniques, 3/4's modus operandi focused on live interaction between electronic and acoustic instruments within a context in which the studio itself (tape machines, mixers, effects...) and the actual space in which the interaction took place (weird microphoning, feedbacks...) were considered and manipulated as instruments themselves (not by chance 3/4's are fans of musicians such as This Heat, P16.D4, Todd Rundgren...). In this process, improvisation and group playing were the main issues, whereas 3/4's first release was more based upon electroacoustic découpage. The goal 3/4's is trying to reach is that of unifying in one moment the three steps of songwriting, recording, and electroacustic post-production. This is done in a brilliant way on their new album, A year of the aural gauge operation, which was recorded in their own studio in Bologna in 2004. It features nine songs composed after live improvisations, all of them quite different in genre, but again 3/4's aim is to create a psychedelic musical flow, one in which new elements and different styles can be superimposed to enrich and develop the peculiar narrative of the album. 3/4's generally thinks of it as an opera. http://www.hapna.com 01-Widower [09:53] 02-Labour Chant [05:24] 03-Shifting Position [01:55] 04-Wave Bye Bye to the King [10:11] 05-Monkey Talk [04:25] 06-Loop Recorder in the Patient [04:04] with Heart Disease 07-In Every Tree a Heartache [08:32] 08-Fun with Nails [03:31] 09-As of Yore [11:34] ÄÄÄÄÄÄÄ 59:29 min ² ÜÛÛÛß ßÛÛÛÜ ° ÛßÛÛß ÜÛÛÛÛÜ ÜÛÛÛÛÜ ßÛÛßÛ Û°ÛÛ °°² ÛßÜÜÜßÛÛ ÜÛßßßÛÜ ÜÛßßßÛÜ ÛÛßÜÜÜßÛ °°² ÛÛ°Û ÞÛ°ÛÛ ÜÛÛß ßÜßÛÜ ÜÛÛÛÜßßßÛÛÛÜÜÛÛÜ ÜÛÛÜÜÛÛÛßßßÜÛÛÛÜ ÜÛßÜß ßÛÛÜ ÛÛ°ÛÞ ÞÛ ÛÛÛÜÛÛÛÛ °°² ßÜßßßÛÛß °² ßÛÛß ßÛÛß °² ßÛÛßßßÜß °°² ÛÛÛÛÜÛÛÛ ÛÝ ÞßÛ ßßÛÛÛÛ ßßßß ßßßß ÛÛÛÛßß Ûß PRßÛÛÛÛÛß ÞÛÛÛÛß
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