NfoDB.com :: SoundFonts it GS-201 Tape Echo v1.0 VST

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               SoundFonts.it.GS-201.Tape.Echo.v1.0.VST-AMPLiFY              
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           TEAM AMPLiFY  :...SUPPLIER  ³³  REL-DATE..:  11.08.2007     
           TEAM AMPLiFY  :...PACKAGER  ³³  RELEASE#..:  0DAY-130
           TEAM AMPLiFY  :....CRACKER  ³³  DISKS.....:  02x5.00MB      
      Nag & Noise Burst  :.PROTECTION  ³³  TYPE......:  VST            
                                       ||  OS........:  WinAll

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                                Basic Concepts                         
            Tape echo effects were invented towards the end of the     
           fifties. Presumably the very first tape echo machine was    
          invented by Charlie Watkins of London, England, in 1958. It  
          was based on a small loop of 1/4" tape onto which audio was  
              recorded by a magnetic head and then read by three       
          separated heads. What was read from the tape was amplified   
           by the internal all-valve circuit and eventually recorded   
            back to the tape, creating the feedback or "sustaining"    
           echo effect. The delay time of the unit was determined by   
              distance of the write head from the read heads, in       
          conjunction with the speed of the tape. Many manufacturers   
             of this era produced their versions of echo machines,     
          mostly based on the magnetic tape system. The famous Binson  
           Echorec was based on a circular drum head with a metallic   
           magnetic stripe. It was used by Pink Floyd at the time of   
          their album "Echoes". Another famous tape echo machine was   
             the Maestro Echoplex, heavily used by pianist Herbie      
          Hancock. Other notable units were the Selmer TruVoice Echo,  
            the Dynacord Echocord, along one of the most famous and    
           widely used from 1973 to present day: the Roland RE-201.    
           This particular model has a tape loop about 4 meters long   
              which is recorded, read and erased continuously. It      
             consists of one erase head, one write head and three      
          pick-up heads, which when combined with the variable speed   
                 DC capstan motor allows many different delay          
           configurations. This machine also offers a reverberation    
           effect based on a spring reverb tank. The combination of    
           echo and reverb gives an "ethereal" ambience effect which   
         eventually inspired the engineers so to name it "Space Echo". 
            Nowadays these machines are very sought after but quite    
          rare to find on the market, and their evaluation increases   
          year after year. There are many aspects that make the tape   
          echo stand out from a modern digital delay. Here are a few   
                             of the main features:                     
           1) the unpredictability. A capstan motor is never perfect   
          like a digital clock signal, resulting in slight variations  
                     of the delay times and pitched sound.             
            2) the frequency response and dynamic range. A magnetic    
             tape is not as clean and flat as a digital recording.     
           Especially a loop of tape which is cyclically erased and    
                 re-recorded many times in a short time lapse.         
           3) noise, hum, distortion. Defects that a digital system    
              shouldn't have, sometimes are wanted and can become      
                            "musically acceptable".                    
                                                                       
            There is one way only to obtain all of this. To get the    
                                  real thing.                          
          Actually there's a much affordable and easy alternative: to  
                      use an accurate digital simulation.              
                                                                       
           GS-201 is an accurate simulation of a japanese Tape Echo    
                  machine of the early seventies, featuring:           
                                                                       
                * Distinctive dynamic range and frequency response     
                    * Realistic response to the panel controls         
                             * Motor "wow and flutter"                 
            * Sound degradation and distortion at high feedback levels 
                   * Very natural hum and background tape noise        
                  * Three different kinds of magnetic tape models      
                              * Ultra-low CPU usage                    
                                                                       
                                 SPECIAL NOTE:                         
                                                                       
          (Demo Limitations: shows a nag screen and is muted for the   
            first 5 seconds, then plays a white noise for 3 seconds    
                                  every 10)                            
                              Buy Now! Euro 19,oo                      
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                               contact AMPLiFY.                        

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